苏联被遗忘的3D电影_俄罗斯尘埃落定

铁锹 3D打印店铺

全文摘录如下：



MOSCOW — As 3D cinema enjoys a revival with Hollywood blockbusters, an unexpected retrospective in Moscow reveals the Soviet Union began entertaining its citizens with homegrown 3D films as early as the 1940s.
The films may lack the exotic plots of Hollywood 3D films such as James Cameron's 2009 "Avatar" and Ridley Scott's current release "rometheus" but are of astonishing technical quality and sophistication.
In a colour film called "In the Avenues of the Park," a young woman in a print dress stretches her hand holding a rose towards the viewer, while young men in baggy trousers stroll and schoolboys in caps***n about.
The crystal-clear film shows Moscow's Gorky Park in 1952, a year before Stalin died, yet the 3D technology similar to that now filling multip***s makes it feel eerily current.
"3D before our era," Kommersant headlined a story on the films, which were shown in a special programme at the Moscow International Film Festival.
The programme of films have been restored and digitised by two enthusiasts, Nikolai Mayorov and Nikolai Kotovsky.
"We have all got used to hearing various legends that 3D cinema came to us from the United States," Mayorov told an audience at the festival. "In fact, it came there from Russia."
Surprisingly, the first showing of a 3D film in Russia was in 1911, several years before the first one in the United States.
The first commercial Soviet 3D film was "Concert" or "Land of Youth", first shown in 1941, a few months before the Soviet Union joined World War II.
A tour de force showing off scenes from ocean waves to a ball in around 40 minutes, it was designed for viewing without glasses.
Viewers watched the film through a wire grid that meant the left and right eye saw two different images at the same time, creating an illusion of depth. The system called stereo cinema was created by a Soviet inventor called Semyon Ivanov.
The "Concert" film was mainly black-and-white but had sections where it burst into colour -- a technique also used in Hollywood for 1939 hit "The Wizard of Oz" -- causing a sensation at the time.
Among the sections shown at the festival are scenes of storks in a pond and a cockatoo swinging on a ring, set to trilling music -- somewhat short on thrills but showing off the technical possibilities of 3D.
Mayorov found the negatives and sound recordings, still in a good condition, at the State Film Fund. He worked first on the black-and-white sections, and has also restored some of the more complex colour sections.
He first showed the film, which he has adapted for viewing through modern 3D glasses, at a specialised archival festival in the Moscow region last year.
"Concert" was hugely popular, showing continuously from January 14, 1941 until the outbreak of war in June that year at a specially adapted cinema.
"Half a million people watched it and only the war stopped the showings," Mayorov said.
After the war, the authorities opened a new cinema for 3D films on central Ploshchad Sverdlova, now Theatre Square, gaining a new audience for more ambitious acted films.
But 3D cinema never really took off like it did in the United States during its brief heyday in the 1950s and seems to have gradually faded away.
"It had no booms nor disasters," Mayorov admitted.
Viewers clapped and chuckled at a charming short adaptation of Anton Chekhov's comic stories called "The Burbot Fish" from 1954 -- complete with budgerigars flying out from an aristocrat's country estate.
"The films really are worth watching because unlike a lot of foreign ones, the 3D is very good, really good quality," Mayorov told AFP.
"You just saw The Burbot Fish. You saw what kind of film it is. And that was back in 1954."
A number of 3D films are now being produced again in Russia such the animated 2010 hit "Belka and Strelka: Star Dogs" about the two dogs from the Soviet Union who were the first animals to ever return from space.
Meanwhile, legendary Russian director Fyodor Bondarchuk is making a keenly-anticipated epic new 3D film about the World War II Battle of Stalingrad between Nazi German invaders and Soviet forces.
在线翻译：



莫斯科 - 随着3D电影与好莱坞大片，一个意想不到的回顾展在莫斯科透露，苏联早期，早在20世纪40年代的国产3D电影与娱乐的公民享有的复兴。



薄膜可能缺乏好莱坞3D电影，如2009年詹姆斯·卡梅隆的“阿凡达”和雷德利·斯科特的当前版本的“普罗米修斯”的异国情调的情节，但有惊人的技术质量和复杂性。



在色彩的这部名为“公园大道”，在一个穿印花裙的年轻女子延伸观众对她手里拿着一朵玫瑰，而在宽松的长裤漫步和小学生帽的年轻男子约运行。



水晶般清晰的电影在1952年莫斯科的高尔基公园，斯大林逝世前一年，但类似的3D技术，现在填充复使其感觉怪异当前。



“3D之前，我们的时代，”生意人报标题上的电影，其中在莫斯科国际电影节特别节目中的故事。



电影计划已得到恢复和数字化两个爱好者，尼古拉Mayorov和Kotovsky尼古拉。



“我们都习惯了3D影院从美国来到我们听到各种传说，”Mayorov告诉观众在节日。 “事实上，它来自俄罗斯。”



令人惊讶的是，3D电影在俄罗斯的首次展出是在1911年，几年前在美国的第一个。



第一商业苏联3D电影是“音乐会”或“青年的土地”，在1941年首次显示，几个月前苏联加入第二次世界大战。



一个炫耀的场面从海浪中约40分钟的球的绝技，它被设计为不戴眼镜观看。



观众观看电影的左眼和右眼看到两个不同的图像，同时创造一个深度的幻觉，这意味着通过导线电网。称为立体声影院系统被称为谢苗·伊万诺夫苏联的发明创造。



“音乐会”的电影，主要是黑色和白色，但有部分彩色突发 - “绿野仙踪” - 引起轰动当时的技术也用于1939年在好莱坞打。



在节日中的部分场景是在一个池塘和一只凤头鹦鹉摇摆，特里林音乐设置一个环上的鹳 - 惊险，但炫耀的3D技术的可能性有所短。



mayorov发现底片和录音，仍处于良好状态，在国家电影基金。他首先在黑色和白色的部分工作，而且还恢复了一些更复杂的颜色部分。



他首先表明，适合通过现代的3D眼镜观看他在莫斯科地区的档案在​​一个专门的节日，去年的电影。



“音乐会”是非常受欢迎的，从1941年1月14日，呈现出不断，直到战争的爆发，在六月特别改编的电影在这一年。



“50万人观看，只有战争停止看房，Mayorov说。”



战争结束后，当局开放为3D电影新电影中央Ploshchad Sverdlova的，现在剧院广场上，获得了更为雄心勃勃的行动电影的新观众。



但3D影院从来没有真正起飞，像它那样在其短暂的全盛时期在20世纪50年代在美国似乎已渐渐淡忘了。



“它没有繁荣也不灾害，Mayorov承认。”



观众鼓掌，笑着 - 在一个迷人的短契诃夫的漫画故事，被称为“江鳕鱼”，从1954年的适应与贵族的全国房地产飞出的虎皮鹦鹉完整。



“电影真的是值得关注，因为很多国外的不同，3D是非常好的，质量真的很好，”Mayorov告诉法新社。



“你刚才看到了江鳕鱼，你看到它是什么样的电影。那是在1954年回来。”



目前正在制作一些3D电影再次在俄罗斯这样的动画2010年热播的“贝尔卡和Strelka：明星狗”关于苏联的两条狗不断从太空返回的第一个动物。



与此同时，俄罗斯传奇导演费奥多尔·邦达尔丘克1深切期待的史诗新纳粹德国侵略者和苏联军队之间关于第二次世界大战的斯大​​林格勒保卫战的3D电影。web3D纳金网www.narkii.com

yilunyu

这些图片真的不错呀！值得学习！